| A
mistake one can make when writing about a D.H. Lawrence novel,
is to assume that the narrative is indicative of what is actually
going on. Perhaps one not accustomed with Lawrence’s works
could believe such, but not I. As Lawrence is known for his
sharp analysis of human psychology, it is his use of sexual
eroticism, as a tool to pry open the nature of his characters,
that most of his works revolve around.
I
discovered this when reading Women in Love. I found myself sensing
that the novel was about ‘something different.’
(I usually find myself feeling ‘something different,’
anyway. As I’m rather romantic on the thought of not blending
with mass opinion…But perhaps it is that very notion that
throws me right back in with the masses.)
Regardless,
I read the book--and found out what it was really about. The
novel was about freedom. Of course, in this case it was about
sexual freedom, but the whole notion of freedom cannot be ignored.
The
two main female characters, Ursula and Gudrun, are fascinating
people. One can argue that they are only trying to seem so [fascinating],
but I felt throughout the book that they were genuinely interesting
characters. They chose their way in life. They chose their lovers.
And they determined by themselves the evolution of their erotic
existence.
The
two men, Gerald and Birkin--at first glance, they seem rather
‘gay’. Consider the scene where they get drunk and
decide to wrestle…then decide that wrestling naked would
much better do the trick. Afterwards, they fall asleep in each
others arms. I know what most have gotten or will get from that
scene, but what did I see? I saw two characters, so comfortable
with their heterosexuality that they could publicly manifest
any form of homosexuality--without any qualms. They seemed to
mock the attitude of the world with an offensively coy “Has
it happened to you?” They took the highroad of “I
know what I am and who I am; I don’t need to show it.”
What better irony than to see people force themselves to believe
something else?
As
I implied earlier, the story’s actual plot is quite simple,
and not to be insisted upon. Ursula becomes involved with Birkin.
Gudrun chooses Gerald. One of the couples finds love. The other
death. If you choose to read the book only for the narrative
aspect, you could better use your time with something else.
Look within this book and see what it really tells us. That
we are living, thinking, and deciding creatures--ready to make
any choice we want. That for us, there are no faux boundaries
to abide by. That we can exist beyond the common boundaries
that most contain themselves to. And simply, that we are free.

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