Body
Commodity
A Review of the Works of Tracey Emin
by Sara Elizabeth Jane
Emin’s depiction of female sexuality perfectly
reflects a larger societal issue of how women, who
on one hand complain of their oppression, and on the
other hand, use it for their benefit when convenient,
undermine the beauty and essence of women’s
artistic expressions
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Damn
Amsta!
A Traveler’s Recollection
by Sarah Hardman
It’s possible to loose focus and forget to visit
the cultural marvels of Amsterdam, such as the Anne
Frank or Van Gogh museums, but one thing you can be
sure of, you’ll find at least one pile of this
famous vomit. I’ve yet to come up with the combination
of food, drink, or drug to produce this local masterpiece,
although I’ve managed to narrow it down to three
certainties. |
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Sun
in Zora, Culture Rising
FOOD, WINE, HIGHLIGHTS & EVENTS
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Street Residence
W. Cameron Cheek, II -- Artist
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Residence |
W. Cameron Cheek, II Artist
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Q: What happens to the artist with no formal training, who happens to have a passion?
A: He paints.
‘Cheek’ as he’s known by in his hometown city of Greensboro, NC, started sketching on his own as a
young boy. Usually people. And often animals. Since youth, he’s always had a fair amount of pets around. His attention, sharply sensitive, was more often scattered amongst his stock of reptilian and furry acquaintances than the two-legged upright-walking ones. He mostly sketched for his own casual entertainment. On occasion he would have the actual intent to share and therefore admit his natural talent. Later in life he signed up for an art class. One two-legged upright-walking freshman college professor would tell Cameron, upon seeing the self-portrait that he had sketched, “You didn’t draw that. You traced it.”
Later for school. He retreated to his element. The Streets. And Hip Hop. Music was a passion that
never gave struggle, but instead provided relief from it. He and his close network of crew, since
high school days, have always found comfort in the Studio Sessions of late. What football bonding is
to the male, the studio session is to the refined male: Exclusive, Men-only, intensely serious type
of Fun—for the creative heart.
Now at 27, he’s revisiting his artistic talent. Last year, he began not only sketching again, but he
picked up a brush and began to paint as well. He paints what he knows and loves—animals of course, and
friends and family—but now also music. One of his favorite pastimes is to paint Hip Hop album covers.
Not for a class, and certainly not for a gallery quota. But because he can. And because he loves to.
W. Cameron Cheek, II spends most of his time with his crew, The Seven Seas,
and his four-legged crew of Akita’s. For information on quotes, he may be reached at 336-339-9280.

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W. Cameron Cheek, II
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