Jazz Bass in the U.S.A
by Kevin Crosby

James Jamerson supplied the Motown groove and Monk Montgomery and John Entwistle played pyrotechnical solos. They and many other talented players proved that the electric bass could be a vital and valuable accompaniment and feature instrument.


Prince: The Free(dom) Radical
by Jessica McKay-Dasent

Prince uses Lovesexy to express his love of God, and to show how sexual experiences can be spiritual as well. Just as Prince expresses male and female sexuality as a jointed experience, he also brings together sexual and religious experiences as one in the same.

SPIRITS IN THE BASS
Joseph Patrick Moore Shares With Zora

For me, instrumental music should express that which cannot be spoken. Sometimes I write from the bass, other times I write from the piano or occasionally I will write without an instrument in my hand. With most of my music, I try to convey a mood or set the scene for the listener.

The Legacy of Pablo Casals
by Keith J. Lewis

He was particularly noted for his interpretations of the suites of unaccompanied cello of J.S. Bach. With the French pianist Alfred Cortot, and the French violinist Jacques Thibaud, Casals formed a noted chamber music trio.

Zora Bass Playlist
Compiled by Jason Taylor

Zora's Meeting Room
Meet the Tin Men

The Legacy of Pablo Casals
by Keith J. Lewis

Pablo Casals (1876-1973)

Casals was one of the most influential musicians of the 20th century. He received his first musical instruction from his father, and later he studied at the Madrid conservatory. After making his debut as a cello soloist at the concerts Lamoureux in Paris in 1898, he toured Europe, the United States, and South America. He revolutionized the role of the cello by the virtuosity of his technique and his musicality. He was particularly noted for his interpretations of the suites of unaccompanied cello of J.S. Bach. With the French pianist Alfred Cortot, and the French violinist Jacques Thibaud, Casals formed a noted chamber music trio. In 1919 he founded the Orquesta Pau Casals in Barcelona, which with Casals as conductor, became an important cultural organization in Catalonia until 1936, when the Spanish Civil War interrupted its activities. After the overthrow of the Republican government in Spain, Casals took up residence in France. In 1950 he organized the first annual music festival in Prades, France, commemorating Bach. In 1956 he moved to San Juan, Puerto Rico. The annual Casals Festival originated there in 1957 to promote world peace. Casals composed the oratorio El pesebre (“The Manger,” 1960), which he conducted throughout the world. His reminiscences are contained in Conversations with Casals, recorded in 1955 by Joseph Maria Corredor. His reflections on his life were published as Joys and Sorrows (1970). In 1989 the National Academy of Recording Arts & Sciences recognized Casals with a posthumous Grammy Lifetime Achievement Award.

Joys and Sorrows; Reflections,
by Pablo, Casals, Albert Kahn


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