Jazz Bass in the U.S.A
by Kevin Crosby

James Jamerson supplied the Motown groove and Monk Montgomery and John Entwistle played pyrotechnical solos. They and many other talented players proved that the electric bass could be a vital and valuable accompaniment and feature instrument.


Prince: The Free(dom) Radical
by Jessica McKay-Dasent

Prince uses Lovesexy to express his love of God, and to show how sexual experiences can be spiritual as well. Just as Prince expresses male and female sexuality as a jointed experience, he also brings together sexual and religious experiences as one in the same.

SPIRITS IN THE BASS
Joseph Patrick Moore Shares With Zora

For me, instrumental music should express that which cannot be spoken. Sometimes I write from the bass, other times I write from the piano or occasionally I will write without an instrument in my hand. With most of my music, I try to convey a mood or set the scene for the listener.

The Legacy of Pablo Casals
by Keith J. Lewis

He was particularly noted for his interpretations of the suites of unaccompanied cello of J.S. Bach. With the French pianist Alfred Cortot, and the French violinist Jacques Thibaud, Casals formed a noted chamber music trio.

Zora Bass Playlist
Compiled by Jason Taylor

Zora's Meeting Room
Meet the Tin Men

Zora's Meeting Room
Meet the Tin Men
PART 1

The marriage of traditional jazz and hip hop can be likened to the meeting of a 3rd generation American with his/her 1st generation relative. It’s an event between two different entities, separated by both time and setting. Yet, there is a shared relativity to a common pulse that sustains an element of familiarity, joy, and kinship.

You might have heard their work via their soundclick site www.soundclick.com/tinmen/, in the form of remixes of music from the likes of Ashanti, Jay-Z, Wu-Tang, and Res. They are the Tin Men, a production duo based in Charlotte, North Carolina, about 120 miles south of the new underground wunderkinds of hip-hop, Little Brother. I’ve recently been able to catch up with the guys responsible for the “Tin Men sound,” and find out the secret to their formula.


J3551C4: Where does your name come from?

nonseq: I suggested the name Tin Men to reflect our shared sense of humor...heartless most of the time.

demancey: Most claim they have love for the music, and then release these JaRule-isms. If that’s the case, then we're taking on roles as the anti.

J3551C4: Who came up with the concept?

nonseq: Me.

demancey: He came up with the name, and we built the concept from there. You'll get a better explanation once the Tin Men LP is released.

J3551C4: What do you hope to accomplish in the music industry as producers and artists?

demancey: To gain respect amongst our peers. We want to be known as producers of musical classics--the cats that were a part of the movement of breathing new life into the music.

nonseq: Hopefully, the Tin Men name will be associated with works that are universally viewed as classic.

J3551C4: Is there a particular feel that you associate to your music, i.e. the ridiculous genres made up my mainstream music jerks like: gangsta rap, chewstick rap, backpack rap, hardcore… I don't even know where they get these from but you know what I mean.

demancey: There isn’t a particular feel that we can associate with, because we have various styles of beat-making. Nonseq has a more basic, grittier sound, while I have more of a complex, musical one. Its just good music when it all comes together. We've been branded with this neo-soul title, but if that’s how they wanna call it, then that’s their opinion.

nonseq: I tend to create music based on what I'm feeling emotionally at the time, but that can encompass any genre. When the Tin Men are working together, however, we tend to lean towards retro-hip-hop sounds.

J3551C4: Are you going to strictly remix songs or will you be releasing works produced 100% by Tin Men?

nonseq: We have plans to release at least 1 more remix album featuring artists from the Carolinas as well as 2 albums of all original material featuring our artists.


STORY TOOLS
PRINT ARTICLE
EMAIL ARTICLE

  PART 2
  PART 3
  PART 4

• Contact • Subscribe • Discuss • Playlists •
CultureSocietyLiteratureArtPolitics Music Authors


Copyright © 2003 ZoraMagazine
All written material contained within this site is the express written
material of ZoraMagazine and/or the authors named within, unless
otherwise indicated. All rights reserved. Reproduction in whole or in
part without permission is prohibited