Jazz Bass in the U.S.A
by Kevin Crosby

James Jamerson supplied the Motown groove and Monk Montgomery and John Entwistle played pyrotechnical solos. They and many other talented players proved that the electric bass could be a vital and valuable accompaniment and feature instrument.


Prince: The Free(dom) Radical
by Jessica McKay-Dasent

Prince uses Lovesexy to express his love of God, and to show how sexual experiences can be spiritual as well. Just as Prince expresses male and female sexuality as a jointed experience, he also brings together sexual and religious experiences as one in the same.

SPIRITS IN THE BASS
Joseph Patrick Moore Shares With Zora

For me, instrumental music should express that which cannot be spoken. Sometimes I write from the bass, other times I write from the piano or occasionally I will write without an instrument in my hand. With most of my music, I try to convey a mood or set the scene for the listener.

The Legacy of Pablo Casals
by Keith J. Lewis

He was particularly noted for his interpretations of the suites of unaccompanied cello of J.S. Bach. With the French pianist Alfred Cortot, and the French violinist Jacques Thibaud, Casals formed a noted chamber music trio.

Zora Bass Playlist
Compiled by Jason Taylor

Zora's Meeting Room
Meet the Tin Men

Zora's Meeting Room
Meet the Tin Men
PART 2

J3551C4: Are there any artists on your roster?

nonseq: We have a lounge singer who goes by the name of Leonard DeFaldo, III. We also have two emcees by the name of Osh Kosh and Axiom. We plan to do an album featuring them on Insensitivity Training [2004]. It's a concept album that will amuse and offend at the same time.

demancey: In addition to that we'll be doing remix work for Distrakt from Colorado, a group called Old Scratch from Brooklyn, and we're also in talks with artists in the South Carolina hip-hop movement, such as Kindablu, Likwid Styles, DJ Ambush, and Dan Johns.

J3551C4: What kind of artist do you plan on working with?

demancey: We're pretty much open to working with anyone that is open to creating good music.

nonseq: So far, interested artists have been either R&B or hip-hop, but we are open to other genres as well...we're talking with this funk band in Raleigh called StumP (http://www.stumphole.com/makedofunk.html), hopefully something will grow from that.

J3551C4: With whom from the industry would you like to work with?

nonseq: Rappers: Eminem, Alkaholiks, J-Live, De La Soul, Mos Def, Canibus, 50 Cent, Natural Elements… Producers: Pete Rock, Madlib, Dre, Prince Paul…Vocalists: Fiona Apple, Ashanti, Musiq Soulchild, Jill Scott, Bono from U2, Michael Stipe.

demancey: I would like to work with rappers such as Redman, CL Smooth, Mos Def, Jean Grae, Big Daddy Kane, Cage, Punch & Words. I would love to collaborate with producers such as Dre, Pete Rock, DJ Premier, JayDee, and Quincy Jones. Vocalist? I would like to work with Jill Scott, Davina, Esthero, Chester Bennington, New Edition, Res, and Luther Vandross (just to fuck with people).

J3551C4: Do you plan on making jams with live instruments as well as electronics?

Tin Men: We already have.

J3551C4: You state on soundclick.com that you don't want to be signed. Why? Why not?

demancey: Personally, I’ve been robbed by independent labels too many times to speak about it. Dealing with the major means I'll more than likely get screwed that much more. No thanks. They can call me, and I will send the bill, and that can be the strength of my ties to the industry.

nonseq: I would rather produce for major label artists than have a deal and stress about recouping and whether or not I could keep my publishing.


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