Jazz Bass in the U.S.A
by Kevin Crosby

James Jamerson supplied the Motown groove and Monk Montgomery and John Entwistle played pyrotechnical solos. They and many other talented players proved that the electric bass could be a vital and valuable accompaniment and feature instrument.


Prince: The Free(dom) Radical
by Jessica McKay-Dasent

Prince uses Lovesexy to express his love of God, and to show how sexual experiences can be spiritual as well. Just as Prince expresses male and female sexuality as a jointed experience, he also brings together sexual and religious experiences as one in the same.

SPIRITS IN THE BASS
Joseph Patrick Moore Shares With Zora

For me, instrumental music should express that which cannot be spoken. Sometimes I write from the bass, other times I write from the piano or occasionally I will write without an instrument in my hand. With most of my music, I try to convey a mood or set the scene for the listener.

The Legacy of Pablo Casals
by Keith J. Lewis

He was particularly noted for his interpretations of the suites of unaccompanied cello of J.S. Bach. With the French pianist Alfred Cortot, and the French violinist Jacques Thibaud, Casals formed a noted chamber music trio.

Zora Bass Playlist
Compiled by Jason Taylor

Zora's Meeting Room
Meet the Tin Men

Zora's Meeting Room
Meet the Tin Men
PART 4

J3551C4: What production team/producer do you admire?

demancey: Jimmy Jam and Terry Lewis. Those cats are consistent as hell. And most don’t even know they are crate diggers. They've been in the game for almost 30 years, and responsible for JANET keeping a strong presence in the industry with every release...The Neptunes...not the Trackmasters.

nonseq: Pete Rock for his overall consistency and versatility. Prince Paul for his conceptual gifts as far as entire albums. Dre for his ear.

J3551C4: Do you have a formula for the creation process?

nonseq: Not really. Two main things drive 80% of the creative process. Either I hear a beat in my head and it haunts me until I actually go in and create it. Or I feel a certain way and create a beat to reflect that mood. The other 20% of the time I play with sounds until something sounds good enough to build a beat around.

demancey: Sometimes it’s like you have a sound in your head that you just have to get out, and other times it’s as if the track creates itself. I prefer to build the track around the drums most of the times.

J3551C4: What is in your player right now?

nonseq: A bunch of mix CD's. Current albums I played recently were 50 Cent “Get Rich Or Die Trying” and Little Brother, “The Listening.”

demancey: Jean Grae, Dj Ambush mixes of Kindablu, Floetry, Little Brother, Santana, America, and Miles Davis.

J3551C4: Who are some of your strongest jazz influences and when or where did your jazz aficionado originate?

demancey: First and foremost Roy Ayers, John Coltrane, Thelonius Monk, Charlie Parker, Ahmad Jamal, and Max Roach. My love for jazz music actually came from my love of Hip-Hop by way of artists like Gang Starr, Lord Finesse, Pete Rock, and A Tribe Called Quest.

nonseq: My grandfather, who played with a lot of jazz greats. Also, Wes Montgomery, Cal Tjader, Kenny Burrell, Bill Evans, and Gary Burton. I started playing trombone in a jazz band in high school, and started getting interested in the songs that I was playing. My grandfather then put me on to artists to check out from there.

J3551C4: Sum up your flava in one sentence

demancey: Backyard Soul

nonseq: It's like a buffet really. I offer as little or as much as you want of a variety of things.

J3551C4: In the opinion of Tin Men, who is the most under-rated artist to date?

nonseq: J-Zone baby!!

demancey: Pete Rock and CL Smooth, hands down. In fact when I die, I want "T.R.O.Y." played at my funeral.

J3551C4: If I write some lyrics...will you produce me? LOLOLOL

demancey: As long as they don’t suck.

nonseq: Only if you make the dollars circulate !!!!!!!



STORY TOOLS
PRINT ARTICLE
EMAIL ARTICLE

  PART 1
  PART 2
  PART 3

• Contact • Subscribe • Discuss • Playlists •
CultureSocietyLiteratureArtPolitics Music Authors


Copyright © 2003 ZoraMagazine
All written material contained within this site is the express written
material of ZoraMagazine and/or the authors named within, unless
otherwise indicated. All rights reserved. Reproduction in whole or in
part without permission is prohibited