Featured Lit Spit
by Arthur Hailey

...to my brain thanks for being my sink to soak and remove stains replace pain and point the blame from blacked out blanks i've allowed to wane and wash away with the rain your bank account is full of attention and I was well paid off with an agreement on position to war is evil people are stupid and syllabize has a definition you were a synonym to perfection...

The Lab of D.H. Lawrence
by Serban Brebenel

It was as if his usage of the various scenarios and characters in his stories allowed him to toy with the ‘what ifs’ within his socially restrictive world. If real life did not allow him to experiment with variables, and to witness the outcome of different hypothesis testing, then a novel could serve as a great laboratory.

Women in Love
A Review of the Novel by D. H. Lawrence
by Serban Brebenel

The two men, Gerald and Birkin--at first glance, they seem rather ‘gay’. Consider the scene where they get drunk and decide to wrestle…then decide that wrestling naked would much better do the trick. Afterwards, they fall asleep in each others arms. I know what most have gotten or will get from that scene, but what did I see?


Regional Highlight:
by Dasan Ahanu

A 6'7" Black male in strolls along Hillsborough Street effortlessly blending into the backdrop. With his tall slender frame, one could casually receive him as an NCSU basketball player, out for lunch between classes. Only a non-receptive stranger would stock such a clumsy association. A sincere look at him, and you know right away-that this is no baller. This is a poet.



The Lab of D.H.Lawrence PART 1
by Serban Brebenel
“The tragedy is when you’ve got sex in the head instead of down where it belongs.”
-D.H.Lawrence

Hard to believe this was said by someone who has written books about sexual tensions and relations. Or by someone whose doctrines of sexual freedom spawned obscenity trials. And whose sections of books were banned in Great Britain and the U.S. Apparently, however, it seems D. H. Lawrence did in fact speak such words; the ironic factor being that the defining mark of his works was the frankness in which he described relations between men and women, both ‘real’ and fictional, in his poetry and novels.

Lawrence’s characters and events carried a close connection to the people and events of his own life. Born in 1885, in Eastwood, Nottinghamshire, as the son of a drunken coal miner (who abused his wife), Lawrence found himself hating his father and admitted having a deep personal bond with his mother. Nothing short here of an Oedipal complex--perhaps pushed a little over the limit. He helped his mother to die in 1910 by giving her an overdose of sleeping medicine. He recreated his mother, as well as a haunting euthanasia scene in Sons and Lovers. In Women in Love, there are two couples that are rumored to actually be Lawrence and his wife, and their friends John and Katherine Murray. The two couples shared a house in England between 1914 and 1915.

It seems obvious that Lawrence, as most writers, represents through his novels, both characters and situations which he was well confronted with in life. And yes, one can note the obvious abundance of sexual relations in his works. Yet there is something else in his works that stirs my fascination. His novels seemed to have been a way for him to analyze the happenings of his real life. It was as if his usage of the various scenarios and characters in his stories allowed him to toy with the ‘what ifs’ within his socially restrictive world. If real life did not allow him to experiment with variables, and to witness the outcome of different hypothesis testing, then a novel could serve as a great laboratory. Characters could run free. They could have mutated mind states. They could be forced in and out of the laws of nature. Or simply put, they could have all kinds of strange beliefs and actions.

I see Lawrence as one of the great empirical scientists. The society in which he lived in did not give him a chance to talk about sex. Society closed its ears on ‘obscene’ words. Yet, through his books, nothing could stop him from using whatever words he chose or exploring sexuality in general. Literally, he could play anything in the books.


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